Novel Reflections

She likes it! My editor at Berkley thinks Threadbare is "terrific!" What a relief! Now I am impatient to get her notated manuscript to see what her suggestions are to make it even shinier. (I already have some ideas of my own for changes I want to make.)

Meanwhile, I have finished going over the four Peter Brichter mysteries that followed Murder at the War, and to my surprise I am thinking that perhaps Murder at the War is not my favorite of that series after all. Original Sin is giving it a run for its money, and if it’s not the new favorite, it’s running a very close second. It’s about an old house out in the country isolated by a blizzard, with the owners, their infant son, the son’s nanny, the horse trainer, an old woman who used to live in the house, a college professor, and a freshly re-married retired cop and his new-old bride gathered there to celebrate Christmas. A murder occurs – in the library, of course – and it appears no one could have gone into the library and out again without being seen. It’s my favorite kind of mystery, very cozy and traditional, with a twisty solution. It will be brought out later this year as an e-book. Along with the other three.

I had a lot of fun writing those mysteries and was pleased as could be when they were published.

Now I am turning my focus onto the next Betsy Devonshire mystery, And Then You Dye. I was intrigued to learn that the mordants – fixatives used to treat fibers before dipping them into a pot of dye – are poisonous. But there are two problems with using a mordant as a murder weapon. The first is that mordants are generally powdered metals, such as copper, tin, iron, or chrome, which are poisonous all right, but metal poisons kill slowly and painfully, which gives my victim time to tell the investigators who hated her and who had access to her dyeing setup. And secondly, how do I get her to ingest the stuff in the first place? Experienced dyers are very careful around mordants, that’s how they live long enough to become experienced. So I’m thinking, the heck with it, I’ll just shoot her.

A reminder: I am offering a free copy of a novel to the person who can give me a title for it. The title should be fewer than five words, and contain a stitching term that contains an element of threat. Visit my web site for titles I’ve already used and for contact information: Monica-Ferris.com.

Christmas 2009

My mother passed peacefully away December 17. We wanted to put death notices in newspapers from the city where she was born and grew up and again in the city where she spent most of her adult life and again in the city she was living in when she died, but discovered newspapers charge by the line as if these notices are trying to sell something. The Philadelphia paper was the most expensive -- $900 for three short paragraphs! My sister, who is in charge of the burial funds, said to cancel the notices and I replied that we didn’t have to because the papers want proof of death and the hospice she died in wouldn’t tell anyone, even at my direction, that she had, in fact, died and so the papers refused to accept the notice. Well, except the Fort Myers paper; for some reason they decided I wasn’t a prankster and published a notice. The hospice cited patient privacy laws as the reason they wouldn’t give out the information. We didn’t go through a mortuary but had Mom taken directly to a crematorium, so we didn’t have their expertise in handling this. Life is too weird to be believed, sometimes.

Meanwhile, Christmas approaches and thank God I’m finding it a comfort rather than a painful contrast. Favorite ways of celebrating:

A showing of “Scrooge,” the movie I find that comes closest to Dickens’ version of “A Christmas Carol.” It’s the one starring Alistair Sim, made in England in 1951. I’m also looking forward to “A Christmas Story,” based on the short story by Jean Shepherd from his anthology, In God We Trust, All Others Pay Cash, which I read long before the movie came out. It’s not Christmas until I see those two movies. (Fortunately, I have them on CDs, so if television fails me, or shows them at a time I can’t watch, I’ll still get to see them.)

For close to thirty years I collected the Fontanini Christmas Creche pieces, which is not just Mary, Joseph, the Infant, the Three Kings and a few shepherds, but Bethelem: the rug seller with the spinner and weaver; the priest, rabbi, and temple; the carpenter in his shop with an apprentice; the baker and his dough-kneading wife and basket-wielding son; the innkeeper with his apologetically-spread arms (confronting Mary on a tired donkey and a worried Joseph); the stable in the form of a ruined pagan temple; the potter painting a pot in front of his kiln; a big cluster of angels suspended on fine fishing line over six shepherds, three dogs and a large flock of sheep; and so on and so on and so on. I used to put them out on the long raised hearth of our living room and allowed them to spread onto the coffee table -- but then we moved into a much smaller place. I no longer have room to put them out, and didn’t want to leave them jammed into their glass-fronted bookcase so I began to think, sadly, of selling them. Then I got a better idea: I donated the whole set to my church. And they, very kindly, have named me the informal Curator of the Creche. I still get to play with them, they provided a big table in the narthex, and I went over yesterday to move the Three Kings on camelback from a table that holds announcements to the big table, where I turned most of the figures to gape at their striding into town. Christmas Eve after the Children’s Service at four, the Baby Jesus will be brought by one lucky child to the manger. January 6 the Kings will dismount and will appear on foot presenting their gifts in a brief appearance at the stable before the whole set gets put away until next year. So far the members of St. George’s seem pleased at having this display. I am not inclined to preen because I’m genuinely humbled at this public evidence of my lack of self control when it comes to collecting.

Among my earliest published books is one called Original Sin, set at Christmas time. I loved writing it -- it’s a locked-room mystery that takes place in a big Victorian mansion cut off from the world by a blizzard, with a body in the library -- and while it’s long gone out of print it remains one of my favorite Christmas reads. Another is The Nine Tailors, by Dorothy Sayers which, while not explicitly a Christmas book, has Christmas happen in it.

This year my sister-in-law’s Christmas gift to me was to take me to a play, “Jacob Marley’s Christmas Carol,” which was really good. It’s a tour de force for the one actor who tells the story in two and a half hours, playing all the characters without the aid of sets or costumes. I hope I can think of something half as good for her next year.

I also like to bake a wonderful Austrian Christmas bread called “Vanocka” in honor of the season. It’s a yeast bread with orange peel, blanched almonds and two kinds of raisins in it. I will send the recipe to anyone who asks for it. Write to MaryPulver@aol.com.