I just spent the better part of my morning tracking down
em-dashes in my work-in-progress, book 3 of my Cumberland Creek Mysteries.
One of my beta readers pointed out that I use a lot of them, And I do.
For those of
you who are not sure what an em-dash is, it’s the long dash that writers use
to break up unwieldy sentences, or for emphasis. Sometimes it’s to interrupt
ourselves. Looking over my WIP, I think I’m guilty of all of that and more.
Years ago, I had the great pleasure of meeting writing coach Don
Fry at the Greenbrier Symposium for Professional Food Writers. He sat next to
me at dinner. Among many things we discussed, we talked about the em-dash. I’m
not sure how he feels about it these days, but then he said the trend for
writers to use it frequently was just laziness. “Don’t get into the habit,” he
advised.
And wow. I should have listened. It’s become quite a lazy
habit for me. When I reviewed this manuscript, I saw that I used it in place of commas, semi-colons, and even prepositions and conjunctions, way too much.
But let me say that I do love the em-dash and won't give it up completely. I can’t say why other writers use
it. For me, the reasons are rhythmic in nature. Yes, rhythmic. By that I mean the way the
sentence sounds to my ear. I don’t want a pause. I want a quick bridge with a louder,
concise, emphasis. I also want the
reader to hear that as they are seeing those words. It’s a visual clue to the
way I want it to sound in my reader’s heads.
But if a writer uses it too much, for whatever reason, the
affect of it dwindles and probably irritates. I agree with Lynne Truss author
of her best-seller Eats, Shoots and Leaves. She says that people
use the em-dash because "they know you can't use it wrongly—which for a
punctuation mark, is an uncommon virtue."
So I cut about ninety-five percent of my em-dashes and am
vowing to be more careful about it in the future.
How about you? Do you use the em-dash? Readers, does, it
bother you to see it used?

