Showing posts with label Altered to Death. Show all posts
Showing posts with label Altered to Death. Show all posts

Thursday, November 30, 2017

Altered to Death


 Altered to Death

The sixth book in my scrapbooking mystery series was released on Tuesday. I'm amazed at times that I have written, and had published, the sixth book in this series. It seemed not too long ago I was worried about anyone else liking the first book I wrote.

In Altered to Death, instead of planning her wedding, Faith finds herself distracted by the town scrapbook she was commissioned to create. Eden’s oldest mystery, the founding family’s exodus nearly a hundred years ago, remains unsolved. A search through the family’s abandoned mansion leads to the uncovering of bones on that very property. And then ex-boyfriend Steve Davis announces a surprise heir has staked a claim. Now she’s determined to dig up the truth left behind.

Here's an excerpt from Altered to Death

“Sierra said Edward was working on a genealogy project, and there could be some items that might be good to include in the town’s scrapbook. I was hoping I could help you sort things out.”
Georgia wrung her hands. “Some of Edward’s items disappeared. They’ve been stolen.”
Or misplaced. I wasn’t surprised Georgia couldn’t find something in the house. I peeked in the hallway bath and it was just as cluttered as the living room, foyer, and hall. What Georgia needed was an organizer. Maybe I should mention Georgia’s situation to my grandmothers and see if one of them could help her.
“I bet they’re around here somewhere,” I said. “Would you like me to help you find them?”
She took hold of my hand, dragging me toward the back of the house. “Yes, I want you to find the murderer. I knew you’d take me seriously. I’ve been asking Edward what I should do.”
Asking Edward? Find a killer? I was out of my league in the type of help Georgia required. She was talking to her dead husband. Sierra really should be here. I started dragging my feet—literally— hoping to slow us down to wherever Georgia was taking me. Not that I thought she was going to attack me. Even if that was in her mind, I was a lot stronger than her.
“I meant the missing items. I’m sure they’re in the house. Somewhere,” I said.
“Come. Let me show you what I’ve found.”
“What am I going to look at? Maybe we should call someone else? Hank? Sierra?”
She huffed out a breath, it sounded like a snort from a small dog. The disgust was clear. “They won’t listen to me. All I am is a grieving old lady who is rambling away and losing her senses. They shut me down every time I try to tell them Edward’s death didn’t have to happen.”
“Didn’t have to happen?”
She nodded, her lips pressed in a thin, angry line. “He was killed.”
“He had a heart attack.”
“That’s what the murderer wants us all to think.”
Oh boy. What had Sierra gotten me into? The whole town, including me, knew Edward Brodart had died from a heart attack after having heart problems for the last decade. Over the last year, Edward had been looking sicker and sicker every day.
“I came over because I wanted to interview you for the town’s scrapbook,” I said. “I wanted to make sure Edward and you were included. Your family is as equally important as anyone else’s.”
She halted. I had been watching her carefully, so I stopped my forward movement without knocking into her. Taking tiny steps to the left, Georgia turned until she was staring at me. I fidgeted, unnerved by the intensity in her blue eyes.
“So you know?” She leaned back from me, searching my gaze for some clue or answer.
“Know what?”
“That Edward found Esther’s diary.”
Excitement pinged through me. “Esther Everton’s diary?”
“Yes. He found it in an old chest in our attic. A chest that belonged to my great-great-grandmother.” She had an expectant look on her face. “I forgot that I inherited it after my parents died. My boys were young, and I never gave it much thought.”
“How did your great-great-grandmother get a hold of Esther’s diary?”
“I always thought it was for safekeeping. They had been close friends.”
A secret. Esther wanted to keep a secret from her family. I knew all about that. Of course, I never told anyone or wrote it down. But if Esther liked to confide in her diary, she’d have hidden it with someone. “Did you read the diary? Did it say why the Evertons left Eden?”
“No, I think it proved Edward was right.”
“About what?”
“In his research, Edward saw hints that there was a living descendent of the Evertons.”
“A secret baby?” None of the daughters had been married. Being an unwed mother in that time would be a huge stigma to the family. Wait…Esther’s diary was hidden. Esther and her parents must have left to hide her pregnancy from the town. “What happened to the baby?”

Thursday, October 12, 2017

Graphic Creation

I have a love/hate relationship with creating promotional graphics for books. At times it's an enjoyable task, and others a necessary evil. Like today. It took me two hours to come up with something I liked, while the last book took fifteen minutes to make a graphic I loved. I loved it so much, I had a poster printed and bought a frame and easel so I could display it.


Today, I was getting so frustrated (which of course wasn't helping the process) with the time I was spending because I'd rather devote it writing more of my new book that I wondered if it's worth it. Why was I doing this to myself...getting myself in a tizzy over a graphic to put on Facebook? It seemed like a waste of time. I am a writer. I should write. But alas, one must promote and market their book(s) if they want readers to know about and read it.

I knew I'd be short-changing myself if I ignored this necessary task so I took a deep breath and got back to work. The truth all writers face is that there are a lot of books out vying for readers love. Readers won't know about my book if I don't share. If I don't tell. So, I pushed the negative feelings aside and continued with coming up with a show-and-tell for my new book.


It took some tweaking before I had a option that I liked. At first, it looked too plain and now it seems a little busy. I'm going to let it "sit" for today and see how I feel tomorrow. Though right now, I'm leaning toward deleting the Crafty and Crime sticker in the lower left corner.




Thursday, April 20, 2017

Editing: From Suspect to Snitch

I'm still editing away and am able to breath a little easier now. Last week, I was in the middle of my developmental edit and was stuck in a particular place. I wrote words. Deleted words. Outline a change. Added it. Then took it out. Nothing was working but I knew this part of the story had to be changed. The problem was every choice either complicated the plot or gave away the ending. What was I to do? Nothing was working and I didn't want to edit myself into a place where I needed to rewrite the whole beginning. I was at a loss. I was frustrated. So, I made a decision that might not have been wise, due to deadline approaching, an event looming on the horizon, and the restarting of my part-time job at the golf course, but I took the morning off anyway. 

There were some items I wanted to get before my next crop event, and the nearest craft store was thirty-five minutes away so I knew it would be a huge time commitment. But as I was at the point of wanting to scream "I quit" or bang my head on the keyboard, a few hours away would be a good thing for me. So, I grabbed my Joann's coupons and keys and went on my trip.

As I drove away from my house, my computer, and the book, my mind started to clear and the task I left behind didn't seem so daunting. The farther away I got, the more my mind clearer and ideas started to come into my head, including two answers to my dilemma: change of ownership and make him a snitch. When I reached my destination, I sat in the car and emailed myself the hopefully brilliant solutions to the issues I was facing.

When I returned home, I went downstairs and took a look at my developmental report and the outline of changes I had intended to write. What do you know...the few issues I was still having would be solved or smoothed out with these two changes. One of the changes would mean reworking a few scenes and removing another but as it required a new one, no worries on the word count ending up too low. 

The biggest problem I was having was with one suspect. I had tried to find a way to make him more solid without giving away the ending or over complicated the plot with so many twists (or even worse coincidences) that it was not believable. I read back over his scene and discovered the idea I had on my drive was the right answer. The man wasn't a necessary suspect as I had others, stronger ones, and what was needed was a catalyst to narrow down the who could've done it--a snitch. He was no longer a character who didn't have a strong enough motive, and seemed like an add on. He was now necessary and helped move the plot forward rather than bog it down.